Symbolism and Irony in Hawthornes Young Goodman Brown Essay -- Young

Symbolism and Irony in newborn Goodman Brown Nathaniel Hawthornes novel Goodman Brown is the story of a young man faced with the h one and only(a)sty that evil is a part of human personality. The story illustrates how naivet can force a person to lunacy. Young Goodman Brown, who symbolizes that Puritan every man, is shocked when he sees respected clergymen and women of his village at the devils communion. His disbelief that it is normal and acceptable to be intrinsically evil causes him to live a purport of despair. In the story, symbolism and irony are cleverly implemented to show that no one is completely good or evil, and that the tension between these opposites is where power to growth onward is generated. There are more elements to the story than just the participation of good vs. evil. Sexuality also becomes an issue in the story. At the head start of the story, Young Goodman Brown bids farewell to his young wife. The particular aspect of his life that s he represents is illustrated by her name belief. Faith ...thrusts her pretty head into the street, letting the nobble play with the pink ribbons of her cap... (Hawthorne 272). Already the dynamic symbolism between nature and the home is set up. Nature, particularly the wind, forest, and darkness symbolizes sinfulness and evil. The home, specifically Faith and her pink ribbons, symbolizes the perceived safety and security of the Puritan community as asylum from the sin of the rest of the world. Goodman Brown begins his journey into the woods. He reprimands himself for departure Faith on such an errand, but promises to cling to her skirts and follow her to enlightenment (Hawthorne 272) when he returns. This errand is never clarified, but it... ...986. 5 2737-40. Fogle, Richard, H. Hawthorns Fiction The Light and the Dark. okey. University of Oklahoma Press, 1964. Hawthorne, Nathaniel. Young Goodman Brown An Introduction to Reading and Writing. Ed. Alison Reeves. New Jer sey prentice mansion, 1995. Shear, Walter. Cultural fate and social freedom in three American short stories. Studies in Short Fiction, fall 92, Vol. 29 Issue 4, p543, 7p. Swisher, Clarice., ed. cloak and Images in The Scarlet Letter. Readings on Nathaniel Hawthorne. Greenhaven Press, Inc., 1996. VonFrank, Albert J. Pretty in Pink Young Goodman Brown and New-World. Critical Essay on Hawthorns Short Stories, Boston G.K. Hall & Co., 1991. Zanger, Jules. Young Goodman Brown and A White HeronCorrespondences And illuminations. Papers on Language & Literature. Summer90, Vol. 26 Issue 3, p346, 12p.